Why bomb Said al-Mishal Cultural Centre? Like many in Gaza, I remain in shock. My tongue cannot find the right words to mourn this erasure of our memories and culture, and my tears cannot take away the heaviness of my heart. It is a living nightmare I share with lots of Palestinian youth in Gaza for whom this centre was not merely a building.
Al-Mishal was one of the very few places in Gaza, one of the most densely populated areas on earth, which provided us with an escape from the suffocation we endure. Some of my most vivid memories are attached to this place. I recall my frequent gatherings with my friends and family there for a performance or a play and other cultural activities. I recall the times when I performed Dabke at its stage and jumped happily like a free bird as I saw the audience so engaged; smiling, singing along, clapping and struggling to remain seated. I remember the walks we had from there to the beach for a bite or a drink as we watched the sunset.
It was flattened to the ground. The horrific sound of this airstrike still echoes in my head and the pictures of its destruction keep me up at night.
It seized to be in a matter of pressing a button by Israeli Occupation Forces, and with this button, they took our precious memories. They stripped us of one of the very few windows of happiness and relief, which filled our hearts as we met to make culture, to celebrate our culture, to sing, dance Dabke, and laugh. Against all odds, this space existed, but apparently posed a ‘threat’ to Israel that had to be eliminated. The only reason for the destruction of such a building is to make our lives more unliveable.
Gaza’s Said al-Mishal was more than a venue to produce and celebrate Palestinian culture. It was a necessary means of survival for 75% of Gaza’s population who are children and youth; they are isolated in their enclave, one of the most densely populated areas on earth, under a miserable reality, lacking spaces for fun, for creativity, for resistance though art.
Said al-Mishal Cultural Centre is perhaps a very good representation of the Palestinian struggle; produced under extraordinary circumstances, desperate for expression, visibility and recognition but ultimately silenced.
Gaza’s familiar landscape has been undergoing a process of distortion and erasure. In 2014 attack on Gaza, whole neighbourhoods were erased. Buildings that were like landmarks for us, where we used to pass by and meet with friends, were turned to rubble in the phase of a few years.
I cannot imagine going back to the place where I spent my childhood ad early adulthood after five years of forced absence, and being unable to recognise it, thanks to the terror of mass destruction that Israel inflected on it. Can you imagine not being able to relate any more to your familiar landscapes due to a machine of destruction?
It’s traumatic. What’s more traumatic is that we know that Said al-Mishal Theatre was not the first cultural institution to be targeted and will not be the last. That said, this crime cannot be seen outside the systematic erasure and elimination of Palestinian existence, history and culture that is happening since 1948 Nakba. Since Israel’s inception, alongside the destruction of Historic Palestine and the ethnic cleansing of Palestinians, Zionist militias stole thousands of books, paintings, musical recordings, and other artefacts from Palestinian homes, libraries, and government offices. This was a deliberate Israeli colonial policy that seeks to erase Palestine from historical memory and erase all traces to the indigenous people, their history and cultural identity. It becomes easier to claim a make-believe reality where “Palestinians do not exist,” as Israeli PM Golda Meire once bluntly said in 1969, or that they are a punch of primitive tribes with no culture.
Even if they erase all our traces to Palestine, our bodies will continue to carry the traumatic evidence of these constant Zionist crimes. If they erase our physical cultural heritage, they will not manage to erase our memory. We will remain the living evidence that challenges Israel’s historical myths and angelic self-image, which Israel tries to paint of itself.
My 15-year old cousin Muhammad Abu Loz just got injured by gunfire from Israeli occupation forces at the Great March of Return, east of Jabaliya refugee camp in the Gaza Strip.
He was among thousands of Palestinians from all generations who have joined these marches in commemoration of Land Day, protesting against the longstanding Israeli colonial occupation and the denial of our inalienable political rights. Israel met them with 100 military snipers.
My cousin survived, but my grandfather’s neighbor, Muhammad Kamal al-Najjar, 25, was shot dead. He is one of at least 12 people who had been killed by Friday evening.
More than 700, including 130 children, had been injured.
Since 30 March 1976, when Palestinian citizens of Israel led a popular uprising against Israel’s confiscation of huge swaths of their land in the Galilee, the anniversary has been marked as Land Day.
On that day in 1976, Israel also met civilian protesters with lethal gunfire, killing six and injuring and arresting many more.
Four decades later, Land Day remains one of the most significant dates in the Palestinian political calendar – a day commemorated by popular resistance to ongoing Israeli colonial oppression, land theft and systematic policies of erasure.
In Gaza, Land Day demonstrations are held near the Israeli-imposed buffer zone, a strip of land inside the Gaza boundary that eats up 30 percent of the small territory’s farmland.
This buffer zone only tightens the Israeli chokehold over Gaza’s two million residents who are besieged by the Israeli military from land, sea and air.
From the north and east, Gaza is surrounded by Israeli artillery, tanks, snipers and military checkpoints. From the sea it is blockaded by Israeli warships that constantly fire on Gaza’s fishers, and from the south, the Egyptian military collaborates with Israel to maintain the closure of the Rafah crossing, the only lifeline to the outside world for most people in Gaza.
Sick with worry as I followed the day’s events from a distance, I called my mom in Gaza. I knew she had been looking forward to this evening’s celebration of her nephew Abed’s wedding, with drums banging as people joyfully sing and dance dabke.
My mom sounded overwhelmed over the phone. When I asked if the wedding was still on, she said yes.
“But given our neighbor’s devastating loss and your cousin’s injury, the zaffa [the celebratory procession] is canceled and the wedding songs will be substituted with revolution songs celebrating freedom fighters,” she said.
My parents, like other Palestinians, anticipated Israel’s violence today, but for them Israeli violence is constant, so carrying on with the wedding is not as strange as it might sound. It’s a way to show that life goes on. Our daily lives are defined by paradoxes like this.
They also went to the place of protest in eastern Jabaliya yesterday to help set up the “return tents”, a recreation of 1948 Nakba Palestinian refugees’ tents which will remain rooted there until 15 May – Nakba Day – to call for our long-denied right of return to the lands from which we were expelled by Israel in 1948.
That right that remains at the core of our anti-colonial struggle.
This morning, they went to my grandfather’s house, where the wedding lunch was set to take place, not knowing that it would turn into a funeral.
Far from home
Our short conversation left me feeling further detached from my current place of residence in the UK, where the majority of people are spending Good Friday with their families in safety and happiness.
But in Palestine, Good Friday was stained with bloodshed and brutal violence, thanks to Israel.
There is no justification for Israel to open fire against protesters posing no threat whatsoever.
There is no justification for suppressing people whose right to resist colonial oppression is guaranteed by international law. The fact that Israel has been able to continue this brutal violence against Palestinians with total impunity for 70 years reflects a deep-seated moral problem in our world.
This article is first published at the Electronic Intifada.